本文目录一览：
又开始画画了，想一想上次画的小土豆，但在小胖的旅程中的继续应该是台湾。回归到学校，正面临着开始做毕业设计，手忙脚乱，开始研究我自己选的话题，做了一个建筑，衍生建筑。可能想象中一个垂直的农场，男女老少都可以到一个有延展性，会生长的空间的建筑形态。
那是15年、16年的想法了，当时觉得还挺新颖，现在很多大师都已经出来了，也实现了当时跟别人一样的想家花。
#龙岩##福建#
引言福建省龙岩市，作为中国东南地区的重要经济中心，近年来培育了一批在各自领域具有显著影响力的上市公司。这些公司的领导者们凭借卓越的战略眼光、创新思维和坚定的执行力，引领企业稳步发展，为地区的经济增长贡献了重要力量。
以下是我们在2023年底各大上市公司市值排行榜的基础上，对2024年龙岩市八大上市公司董事长的排名，他们的表现不仅体现在公司业绩的增长上，还包括对社会责任的担当以及对行业创新的推动。
1. 陈景河 - 紫金矿业紫金矿业作为中国领先的铜生产企业，陈景河以其丰富的行业经验和前瞻性的战略布局，成功引领紫金矿业实现资源的高效开发和利用，同时注重环保和可持续发展，赢得了业界的广泛尊重。
2. 林泓富 - 龙净环保龙净环保是中国环保产业的佼佼者，林泓富秉承“绿色发展”的理念，推动了公司在大气污染治理、环保设备制造等方面的技术创新，为改善环境质量和促进生态文明建设做出了显著贡献。
3. 陈明盛 - 龙洲股份龙洲股份在物流行业有着深厚的根基，陈明盛作为董事长，凭借其对市场的深刻理解和卓越的管理能力，带领公司在产品升级和市场拓展上取得了新的突破，提升了企业的核心竞争力。
4. 张桂丰 - 福龙马福龙马是一家专注于固废治理的企业，张桂丰作为董事长，推动了公司在固废治理和土地环保方面的研发，助力中国式现代化和经济高质量发展，同时也为企业自身的发展开辟了新的增长点。
5. 叶活动 - 卓越新能卓越新能是一家化学制品企业，叶活动以其敏锐的市场洞察力和持续的创新精神，带领公司在化工制造领域取得了重要成就，为推动能源结构的转型做出了积极努力。
6. 汪坤明 - 赛特新材赛特新材专注于新型建材的研发和生产，汪坤明作为董事长，坚持科技创新，推动公司在绿色建材领域不断取得技术突破，为建筑行业的可持续发展贡献了力量。
7. 袁俊 - 龙高股份龙高股份是一家以非金属材料研发和制造的企业，袁俊作为董事长，凭借其丰富的管理和运营经验，带领公司在技术创新和市场开拓上取得了显著成绩，增强了企业的品牌影响力。
8. 李勇 - *ST爱迪饰品*ST爱迪饰品作为一家专注于时尚饰品的企业，李勇面对行业的挑战，通过调整经营策略和优化产品线，努力实现企业的转型和发展，展现了作为董事长的决策智慧和勇气。
结语上述八位董事长在各自的领域内展现出了非凡的领导力和远见卓识，他们不仅是各自企业的领军人物，也是福建省乃至中国经济发展的中坚力量。在未来，龙岩市八大上市公司“掌舵人”们们将继续引领企业创新发展，为福建和全国的经济繁荣作出更大的贡献！
New York
The Unbearable Lightness of Being
Lin Hongjun's Solo Exhibition
Curator：
Dr. John Francis Larner
Academic Assistance：
New York Contemporary Art Center
New York | MC gallery
Exhibition Period：2024.3.10-4.10
Venue：West 52nd Street, New York, NY 1004
Opening Event
March 10th at 5:00 PM
The exhibition catalog of Chinese artist Lin Hongjun's first solo exhibition in the United States, "The Unbearable Lightness of Being", has been published. On this occasion, I would like to share with you the article "The Unbearable Lightness of Being" written by writer, curator, and art critic John Francis Larner in the catalog. The following is the full content of this article.
The Unbearable Lightness of Being
I first met Vivian a few years ago when I attended an exhibition that she shared with another artist friend. I was immediately captivated by her work. She is an artist with many interests, and one whose style and interests continue to evolve. She is not content to do the “same old, same old.” She paints, she brushes calligraphy, she works with paper maché, and she probably also is working with other materials that she has not yet exhibited as she continues to search and explore, bringing her artistic vision to fruition.
Having visited her studio, I discovered it is also her home, which sums up nicely her life: “Her studio is her home; her home is her studio.” Different parts of her home are given over to different forms of her creations. She also has a sizeable library of books and reference materials and supplies, blank canvases, brushes, pens, inks and paints – all ready to hand – so that when she works, she has all that she needs. Appropriately for a visual artist, her home/studio also has areas of bright light filled with sunshine, and others of shade and even darkness, both fitting the particular mood of herself and her creations.
Like all artists, she aims to transform the irreal into reality – the ideas, shapes, and colors of her unique imagination into the materials on which she works. Like all artists, she is a shape-shifter, not in terms of her physical existence, but in terms of her innermost thoughts – the shifting of shapes from the non-dimensional world of her imagination into the two- or sometimes three-dimensional shapes of her art.
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Once you enter into her worlds, it is difficult to escape from them, even if you leave the gallery or the museum. To borrow and paraphrase a line from a poem by e.e. cummings:
“i carry your heart with me(i carry it in
my heart)i am never without it…”
I would change this to:
i carry your art with me(i carry it in
my heart)i am never without it …
With respect to the title of the exhibition and the title piece, a good introduction is this quotation from the EncyclopediaBritannica: "The Unbearable lightness of Being, novel by Milan Kundera, first published in 1984 in English and French translations. The tale begins on a philosophical note, discussing Friedrich Nietzsche’s concept of eternal return (or eternal recurrence).
If, as Nietzsche believed, everything in life happens an infinite number of times, causing the “heaviest of burdens,” then a personal life in which everything happens only once loses its “weight” and significance—hence the “the unbearable lightness of being.” Within this discussion, however, the narrator also mentions the opposing theory of Parmenides, who held that light (represented by warmth and fineness) is positive, while the opposite, heaviness, is negative. This conflicting set of views raises the question of which is correct, and against this backdrop the story begins.
This same tension about what constitutes reality is at the core of Vivian Lin’s art. On the one hand, the artist’s work is a unique product, the result of a unique, even if lengthy, process. It is therefore a “one-off” event. On the other hand, the artist’s constant research into and reinvention of her artistic expression represents the infinite process of interpreting, reorganizing, and eventually communicating to the world her vision, thereby uniting the tension inNietzsche’s formulation of an infinitely recurring set of processes with a singular, one-time outcome. Vivian Lin’s work also explores, as have other artists, the tension between light and dark, thereby evoking the ideas mentioned in the novel that refer back to Parmenides, as indicated in the quotation.
Lin’s expression of these ideas through her piece, which depicts a centaur of indeterminate gender – neither male nor female, but containing elements of both – represents a timeless, therefore eternal, concept of humanity’s integration with Nature stretching back through millennia, human and beast in a single body. And in this exhibition, in this singular work.
What’s more, the lightness can be represented by the lack of coloration for this piece, being entirely white, while the darkness can be read into the enigmatic expression of the face. Are the eyes open or closed? Is the face (and body) at rest or in deep anguish which renders the creature immobile? Is this a creature at peace with itself, or is it at war with its dual nature, both human and beast? All of these questions raised by a reading of Kundera’s novel can be read into Lin’s exhibition, and the novel’s title therefore represents an excellent touchstone in the works of Vivian Lin.
Curator：Dr. John Francis Larner
December 2023 in Paris, France.
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The "Lin Lin" series expresses pure personal emotions through abstract semantics, with a creative mode that transcends descriptive representation. Simultaneously, in terms of artistic language style, the abstraction's wit and randomness achieve significant expansion.
Lin Hongjun reconstructs spatial relationships through painting, employing analytical techniques and utilizing sensitive colors to convey personal feelings and explore the boundaries of concepts in each frame. Each scene presents a snapshot of a specific time point in the past, set against the backdrop of the unique era of the artist's parents. The concept of time in this context diverges from the passing of time in the real world, suspending real-time and introducing the notion of parallel space. It is a departure from the regular flow of time, perhaps an escape from the rules of time passing!
What the artist and her works seek to convey is the helplessness and inevitability of human existence in the passage of time. The relationship between "time-space" is eternally intertwined with the artist's connection to "art-life."
To fully comprehend the "Lin Lin" series, one needs to view it within a specific context, atmosphere, and state of mind. The "three realms" embody a multiplicity of meanings.
The "Laws of the Jungle" series employs a unique visual language with contemporary flair, attempting to capture, from a sharply insightful perspective, the underlying facets of societal reality—floating, expanding, redundant, panicky, evasive, concealed, and obscure. Using a satirical approach, the series creates a vibrant array of colors on the canvas, akin to needles piercing through the facade of this prosperous world.
How does an artist with neurosensitivity inadvertently evoke an emotional resonance within you?In the exhibition "The Weight Life Cannot Bear," you may find the answers you seek.
Vivian Lin, with her unique contemporary visual language, continuously explores a "possible" stream of consciousness semantic schema. She showcases her deconstruction, reconstruction, and recreation of visual time and space, rediscovering and redefining visual values. With an open-minded approach and unconstrained creations, she awaits uncertain answers.
This exhibition brings together over 60 pieces of artwork, employing a diverse range of media, including painting, video, and installation sculpture. If you yearn for a profound appreciation of this imaginative and creative artist, do not miss this fascinating exhibition full of exploration and imagination. The exhibition will run until January 10, 2024.
About Artist
Lin Hongjun
Artist
Currently living and working in Tokyo
Principal Solo Exhibition
2023 The Unbearable Lightness of Being Solo Exhibition,Hara Museum of Contemporary Art, Tokyo, Japan
2022 Large-scale Contemporary Ink Wash Solo Exhibition, Infinite West Lake Art Museum
2022 Lin·Meta Narratives Solo Exhibition, Yu Ting Art Museum
2021 Leisurely Afternoons of Spring' Solo Exhibition, Qixia Art Mansion
2021 Desires Unveiled: Exhibition of Works by Lin Hongjun and Marianne Wilson
2020 Hu Shourong & Vivian Lin Dual Exhibition
2018 The Spirit in Ink Painting Exhibition , London
2012 Solo Exhibition BROUWERS GALLERY, Amsterdam
Principal Group Exhibition
2018 Nanpū Ink Painting Association and Kyoto International Urban Exchange Exhibition
2019 ArtLinkArt: China-Europe International Youth Artists Exchange Exhibition
2019 Nitchū Rijoi Writers and Artists Exhibition, Kyoto, Japan
2019 The Urban Narratives of Contemporary Chinese Art: 1995-2019, Shanghai, China
2019 "Fervent", BIG SPACE X CHINO GALLERY, Shanghai, China
2019 “Paper temperament 4” The Ranch Gallery, New York, America
Principal Curated Exhibition
2022 Kyoto International Ink Painting and Calligraphy Exchange Exhibition,50th Anniversary Commemoration of the Normalization of Japan-China Diplomatic Relations
2019 URBAN MYTHS Art Exchange Exhibition, London, UK
2019 Japan-China Youth Writers and Artists Exhibition, Kyoto, Japan
2018 The Continuation and Connection: Works Exhibition by Professor Wu Shanming, Professor Hu Shourong, and Their Studio Students
2018 NEW DIMENSION Berlin Art Collective Exhibition，Berlin， German
2018 Japan Nanpū Ink Painting Association and Kyoto International Urban Exchange Exhibition
2017 Nomination Exhibition of Zhonghe Yazheng's Painting Works at Zhejiang University Art Museum
2014 San Tai He Chinese Painting and 'Jianci Vision' Longquan Celadon Art Exhibition
About Curator
John Francis Larner
Born on August 10, 1951, in New York City. In 1973, obtained a Bachelor's degree in English. In 1978, earned a Master's degree in English. From 1978 to 1980, pursued a Ph.D. in Literature at Carnegie Mellon University. In 1984, published the novel 'Wang Tangyi.' From 1988 onwards, involved in curating the Venice Biennale and the Venice Film Festival. Continuously participated in curating the documenta exhibitions for the tenth and eleventh editions in Kassel.
Please visit the exhibition hall for more artwork
Opening Hour
Monday: Closed
Tuesday: Closed
Wednesday: 6 pm - 9 pm
Thursday: 11 am - 5 pm
Friday: 6 pm - 9 pm
Saturday: 11 am - 5 pm
Sunday: 11 am - 5 pm
地址 /Address
West 52nd Street, New York, NY 1004
为什么去弄这数据呢？主要是想知道孩子的水平。虽然全部是比较简单的应用题，但也能从侧面反映孩子的理解能力。今天的这张第一题算一个算1分，第二、第三一个空算1分。总分70分，同样是基础训练；后面还会继续有相应的基础训练。当基础训练结束的时候就是能力提升版本。如果家长认同我们的理念，请认真给孩子做。这些都是基础题，也有一两道题带坑，跟孩子说需要认真做。
如果做对达不到61分的，请家长陪孩子重新复习下数学课本，并把数学课本的练习题重新做一遍。可以跟孩子说认真做，你也是能够考满分的人。但绝不是孩子你只是有点粗心。我们一直都不认同孩子存在粗心的行为。越是基础的知识为什么越会做错呢？其实是我们的大脑欺骗了我们，以及在做的过程中没有认真做到审题。
为什么会说我们的大脑欺骗了我们，因为当我们在做类似的题目时，当题目做久大脑就会自动告诉我们问题的答案。然后脑神经就会不自觉控制我们的手写出那个默认的答案。而当我们重新回头看就会发现其实那个答案是错误的。但却找不到为什么我们会做错。这就是思维定势造成的错误。所以家长一定要认真跟孩子说不要担心时间不够，要认真做。
同时有必要跟有阅读这篇文章的家长说下，数学基础越扎实，后面学数学会越容易。当然我们制作基础训练是有目的的。我们会根据后面不断反馈回来的数据不断对数学练习更新进行优化。我们承诺你的孩子有认真做我们制作的数学练习，在越后面我们难度会不断提升，直到最后奥数的出现。请不用怀疑。我们一定会做奥数但是取决于你们的孩子的能力水平达到那个层次我们才会更新奥数。所以请各位家长认真陪孩子。我们只为那些默默关注我们的用户服务，而且始终免费。
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